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Although he had composed a lot of pieces (also a signature tune for a discotheque), Marco found difficulties in the moment of their presentation to the record companies, who accused him of the fact that “he hadn’t a right face for an artist” and of the fact that he produced songs which had too atypical lyrics rather than what the public expected to hear. A bit unexpectedly and on the sly, during the spring of 2002 a new tour began: in this case, however, it wasn't a promotional tour, but simply a present for his fans and an opportunity to introduce to the public the new emergent group with which he wanted to collaborate as an artistic producer.

Taking up a very pragmatic approach, coupled with a seemingly endless amount of energy and motivation to get things done, I believe he is able to get any project moving in the right direction. Raccontami Di Te' followed in 2000 with 'Il Giardino Delle Api' in 2005, the 2006 collaboration with Umberto Tozzi titled 'Tozzi Masini', 2009's 'L'Italia. After nearly four years of silence, on 12 November 1998, the Scimmie ("Monkeys") album was released by Ma label, founded by himself, Mario Manzani and Marco Poggione. After performing the provcative and poignant "L'Italia' at the 2009 Sanremo festival, he released L'Italia.He also consults for private and public organizations on themes related to process optimization, ICT and technological innovation.

Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). The company was the first to experiment matching two materials, sterling silver and crystal, on the Italian market.

His 1995 album 'Il Cielo Della Vergine' topped charts in Switzerland, The Netherlands and Italy followed by a three-year break from performing and recording.

Meanwhile, his lack of interest in studying made him leave high school when he was 16, which caused problems within his family. In the same year he participated to Festivalbar and he won because his was valued as the better album of the year, while the video clip of Malinconoia, recorded during a concert at Palaeur in Rome, won as the better video live of Riminicinema '91. It was divided into two sessions, one during the spring in the theatres, one during the summer in the sqaures of a lot of Italian towns.But the real deliverance, after so many years of difficulties and (artistic, as well as human) undeserved suffering, arrived in March, with the beginning, the development and the end of the most innovative edition of Sanremo Festival of the last twenty years: Marco's song, L'uomo volante ("the flying man"), was the favourite one for Italian people, who could vote from home using phones and mobiles.

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